The performance at Willow Elementary School’s annual Ubuntu Night follows a bustling pot luck dinner in the cafeteria where shared dishes—ranging from fried plantains to Jewish noodle kugle to New Orleans jambalaya—represent the broad cultural heritage of school families.
“Above all, I wanted to be truthful and exact,” Claude Monet wrote about his painting. “He felt that to understand a subject, he needed to look at it every day and paint it from the same spot—to grasp the tone and spirit—the truth—of a place,” said Angelica Daneo, the Denver Art Museum’s curator of European art before 1900 and curator of Claude Monet: The Truth of Nature, at the museum through Feb. 2, 2020.
It’s our first international trip as a family of four. The Dominican Republic seems like a good fit.
The $150 million update of the Denver Art Museum’s campus, slated for completion in 2021, is the most extensive renovation of one of Denver’s biggest cultural institutions.
Denver’s Blair-Caldwell African American Research Library and the Black American West Museum partnered with the National Museum of African American History and Culture to explore the stories of local African American families through their family heirlooms.
The seventh annual self-guided Stapleton Open Studios tour of artists’ studios is back, with 26 artists at 15 studios ready to meet visitors, show their work and demonstrate how it is made.
An Ebola outbreak did not stop eight DSST-Montview seniors from participating in a school-sponsored trip to Rwanda and Uganda this summer.
The Wind Gate Art Suite by Rodrigo Nava, from Putney, VT, consists of three distinct sculpture arrays installed in Stapleton’s new neighborhood north of 56th Avenue.
This summer, we decided to go beyond our usual visits to my Japanese mother’s relatives, and take the children (ages 10 and 8) on a bit of a history tour: Hiroshima; The Floating Shrine; Traditions by the Sea of Japan; and more.
Photographer Mike Holtby got rare access to view and photograph the Hadzabe (Hadza) tribe, the last hunter gatherer tribe in Tanzania. This communal and egalitarian society does not value private property, and does not want modern technology or even farming to interfere with their values and traditions, says Holtby.
